The bibliography listed below is a selection of monographs, books, and articles that reference or reproduce Hofmann’s paintings and works on paper.



Hill, H.R. “Beauties of West Thrill Teacher of Art” (includes artist’s statements). Oakland Post-Enquirer, 28 May 1930.



“Art Is Not Imitation of Nature, Says German Painter” (includes artist’s statements). Berkeley Daily Gazette, 8 July 1931.

“Hofmann at Chouinard.” Art Digest 5, no. 10 (15 February 1931): p. 29.



Bull, Harry Adsit. “Panorama of the Fortnight.” Town & Country 88, no. 4105 (1 June 1933): pp. 17–18.

Szittya, Emile. L’Art allemand en France (text in French). Translated from German by Lazare Lévine. Paris: Edition “La Zone,” 1933.



Cheney, Sheldon. Expressionism in Art. New York: Liveright, 1934; rev. ed. 1958.



“At Provincetown Again.” Art Digest 12, no. 15 (May 1938): p. 28.



Greenberg, Clement. “Avant-Garde and Kitsch.” Partisan Review 6, no. 5 (Fall 1939): pp. 34–49.



“Hans Hofmann Continues Despite the War” (includes artist’s statements). Art Digest 16, no. 16 (15 May 1942): p. 29.



Janis, Sidney. Abstract and Surrealist Art in America (includes artist’s statements). New York: Reynal & Hitchcock, 1944.

Lowrey, Diana. “Students Come from Distant Places to Learn Painting Skill at Hofmann Studio” (includes artist’s statements). Provincetown Advocate, 24 August 1944.



“Art News Visits the Art Schools: Three in Provincetown” (include artist’s statements). ARTnews 45, no. 4 (June 1946): pp. 12–13.

Reinhardt, Ad. “How to Look at Modern Art in America” (cartoon). P.M. (New York), 2 June 1946.



“Art: The Best?” Time 50, no. 22 (1 December 1947): p. 55.

Greenberg, Clement. “The Present Prospects of American Painting and Sculpture.” Horizon, no. 93–94 (October 1947): pp. 20–30.



De Mott, Helen. “Hans Hofmann School Attracts Pupils to Cape End from Many Distant Parts.” Provincetown Advocate, 17 June 1948.

Williams, Tennessee. “An Appreciation.” In Women: A Collaboration of Artists and Writers (group exh. cat., 1948), n.p. Reprinted in Derrière le Miroir (solo exh. cat., 1949), n.p.; in Wilkin, Hans Hofmann: A Retrospective (solo exh. cat., 2003), pp. 49–50. German translation in Grote, Hans Hofmann, Ausstellung 1962 (solo exh. cat., 1962), p. 15. German translation reprinted in Hans Hofmann: 1880 bis 1966 (solo exh. cat., 1992), n.p.; and in Mauroner, Hans Hofmann: The American Years, Retrospective (solo exh. cat., 1999), n.p.



“Bookshelf: Search for the Real, by Hans Hofmann” (book review). ARTnews 47, no. 9 (January 1949): p. 10.

Kees, Weldon. “Reviews: Weber and Hofmann” (book review). Partisan Review 16, no. 5 (May 1949): pp. 541–43.

Rathbun, Mary Chalmers, and Bartlett H. Hayes Jr. Layman’s Guide to Modern Art: Painting for a Scientific Age. New York: Oxford University Press, 1949.

Shadbolt, Jack L. “Concerning American Painting—1949.” The League Quarterly 20, no. 3 (Spring 1949): pp. 16–21.



“Art: The Revolt of the Pelicans.” Time 55, no. 23 (5 June 1950): p. 54.

“18 Painters Boycott Metropolitan; Charge ‘Hostility to Advanced Art.’” New York Times, 22 May 1950.

“The Irascible Eighteen.” New York Herald Tribune, 23 May 1950.

De Kooning, Elaine. “Hans Hofmann Paints a Picture” (includes artist’s statements). ARTnews 48, no. 10 (February 1950): pp. 38–41, 58–59. Reprinted in Hans Hofmann: Provincetown Paintings and Drawings (solo exh. cat., 1985), pp. 1–11. Partially reprinted in ARTnews 111, no. 10 (November 2012): pp. 138–39.

Erskine, Peggy. “Art Chronicle” (book review; includes artist’s statements). The Sewanee Review 58, no. 2 (April–June 1950): pp. 358–70.

Tannenbaum, Libby. “Notes at Mid-century” (includes artist’s statements). Magazine of Art 43, no. 8 (December 1950): pp. 289–92.



“The Metropolitan and Modern Art.” Life 30, no. 3 (15 January 1951): pp. 34–38.

Baur, John I.H. “American Art after 25 Years: A Richer Diversity Than Ever before.” Art Digest 26, no. 3 (1 November 1951): pp. 14–19.

Baur, John I.H. Revolution and Tradition in Modern American Art. Cambridge, MA: Harvard University Press, 1951.

Bird, Paul. “Hofmann Profile” (includes artist’s statements). Art Digest 25, no. 16 (15 May 1951): pp. 6–7.

Hess, Thomas B. Abstract Painting: Background and American Phase. New York: Viking Press, 1951.

Olsen, Fred. “A Collector Tries Painting.” ARTnews 50, no. 7 (November 1951): p. 10. Seckler, Dorothy Gees. “Can Painting Be Taught?” (includes artist’s statements). ARTnews 50, no. 1 (March 1951): pp. 39–40, 63–64.

Seuphor, Michel. “Paris New-York 1951” (text in French). Art d’Aujourd’hui 2, no. 6 (June 1951): pp. 4–14.



Kepes, Gyorgy. “Book Reviews: Hans Hofmann, Search for the Real” (includes artist’s statements). Magazine of Art 45, no. 3 (March 1952): pp. 136–37.

Loran, Erle. “At the Metropolitan: Trial by Juries.” ARTnews 51, no. 8 (December 1952): pp. 25–26, 62–63.

Motherwell, Robert, and Ad Reinhardt, eds. Modern Artists in America. First Series (includes artist’s statements). Includes “Artists’ Sessions at Studio 35 (1950),” edited by Robert Goodnough, pp. 8–23. New York: Wittenborn Schultz, 1952.

Tapié, Michel. Un art autre: où il s’agit de nouveaux dévidages du réel (text in French). Paris: Gabriel-Giraud et fils, 1952.



Fitzsimmons, James. “Hans Hofmann.” Everyday Art Quarterly (Walker Art Center), no. 28 (1953): pp. 23–26.

Frankenstein, Alfred V. “Wild Animals or Men—Fauvism Is a Recurrent Phenomenon.” San Francisco Chronicle, 22 March 1953.

Greenberg, Clement. Henri Matisse. New York: Harry N. Abrams, in association with Pocket Books, 1953.

Greenberg, Clement. “Symposium: Is the French Avant Garde Overrated?” Art Digest 27, no. 20 (September 1953): pp. 12, 27.

Holland, Frank. “New Storm Swirls about Modernism.” Chicago Sun-Times, 14 June 1953.

Kramer, Hilton. “The New American Painting” (includes artist’s statements). Partisan Review 20, no. 4 (July–August 1953): pp. 421–27.

MacDonald, Dwight. “Action on West Fifty-Third Street—II.” The New Yorker 29, no. 44 (19 December 1953): pp. 35–72.

Plaskett, Joe. “Some New Canadian Painters and Their Debt to Hans Hofmann” (includes artist’s statements). Canadian Art 10, no. 2 (Winter 1953): pp. 59–63, 79.

Willard, Charlotte. “Living in a Painting” (includes artist’s statement). Look 17, no. 15 (28 July 1953): pp. 52–55.



McCray, Porter A. “Circulating Exhibitions 1931–1954.” The Bulletin of TheMuseum of Modern Art 21, no. 3/4 (Summer 1954): pp. 3–30.



A Picture Book: 200 Objects in the Baltimore Museum of Art. Baltimore, MD: The Baltimore Museum of Art, 1955.

Greenberg, Clement. “‘American-Type’ Painting.” Partisan Review 22, no. 2 (Spring 1955): pp. 179–96.

Greenberg, Clement. “Excerpts from the Catalogue of the Hans Hofmann Retrospective Exhibition.” Bennington College Alumnae Quarterly 7, no. 1, special issue: Symposium on Art and Music (Fall 1955): p. 21.

Sawyer, Kenneth B. “Largely Hans Hofmann” (includes artist’s statements). The Baltimore Museum of Art News 18, no. 3 (February 1955): pp. 9–12.

Sweeney, James Johnson. “Recent Trends in American Painting.” Bennington College Alumnae Quarterly 7, no. 1, special issue: Symposium on Art and Music (Fall 1955): pp. 8–11.



“The Age of Experiment.” Time 67, no. 7 (13 February 1956): pp. 62–67.

Crotty, Frank P. “Expert in Abstract Is Hans Hofmann, 76” (includes artist’s statements). Worcester Sunday Telegram, 18 November 1956.

Finkelstein, Louis. “New Look: Abstract-Impressionism.” ARTnews 55, no. 1 (March 1956): pp. 36–39, 66–68.

Genauer, Emily. “The Cover Painting: Composition No. 10, by Hans Hofmann” (includes artist’s statements). What’s New (Abbott Laboratories), no. 194 (Spring 1956): cover, p. 22.

Hess, Thomas B. “U.S. Painting: Some Recent Directions.” ARTnews Annual 25 (1956): pp. 76–98, 174–80, 192–99.

McNeil, George. “American Abstractionists Venerable at Twenty.” ARTnews 55, no. 3 (May 1956): pp. 34–35, 64–66.



Barr, Alfred H., Jr. “Editor’s Letters.” ARTnews 56, no. 5 (September 1957): pp. 6, 56–57.

Barr, Alfred H., Jr. “Painting and Sculpture Collections, July 1, 1955 to December 31, 1956.” The Bulletin of The Museum of Modern Art 24, no. 4 (Summer 1957): pp. 3–40.

Eliot, Alexander. Three Hundred Years of American Painting (includes artist’s statements). Introduction by John Walker. New York: Time Inc., 1957.

Hulton, Nika. “Art in Modern America: On a Voyage of Discovery.” Picture Post 74, no. 6 (11 February 1957): pp. 21–22.

Seuphor, Michel. Dictionnaire de la peinture abstraite: précédé d’une histoire de la peinture abstraite (text in French; includes artist’s statements). Paris: Fernand Hazan, 1957.



Candee, Marjorie Dent, ed. Current Biography Yearbook. New York: H.W. Wilson, 1958.

Cheney, Sheldon. The Story of Modern Art. Rev. ed. New York: Viking Press, 1958.

Crotty, Frank P. Provincetown Profiles and Others on Cape Cod (includes artist’s statements). Barre, MA: Barre Gazette, 1958.

Rosenblum, Robert. “Unité et divergences de la peinture américaine: la peinture américaine depuis la seconde guerre mondiale” (text in French). Aujourd’hui 3, no. 18 (July 1958): pp. 12–18.



Ashton, Dore. “Hans Hofmann” (text in French and English; includes artist’s statements). Cimaise 6, no. 3 (January–March 1959): pp. 38–45.

Barker, Virgil. From Realism to Reality in Recent American Painting. Lincoln: University of Nebraska Press, 1959.

Dane, Eva Maria. “Hans Hofmann: Art Is All around Him” (includes artist’s statements). Cape Cod Standard-Times, 12 December 1959.

Hoge, James. “Art Institute Awards to Non-Chicagoans Dismay Local Artists.” Chicago Sun-Times, 2 December 1959.

Hunter, Sam. Modern American Painting and Sculpture. New York: Dell Publishing, 1959.

Read, Herbert. A Concise History of Modern Painting. New York: Frederick A. Praeger, 1959.

Rosenberg, Harold. “Tenth Street: A Geography of Modern Art.” ARTnews Annual 28 (1959): pp. 120–43, 184–92.

Rosenberg, Harold. The Tradition of the New. New York: Horizon Press, 1959.

Seckler, Dorothy Gees. “Art Travelogue: Provincetown—Case History of an Art Center.” Art in America 47, no. 2 (1959): pp. 94–95, 103, 105.

Willard, Charlotte. “4 Masters of Modern Art Select New Talents” (includes artist’s statements). Look 23, no. 24 (24 November 1959): pp. 60–64.



Coates, Robert M. “The Art Galleries: Creeping Representationalism.” The New Yorker 36, no. 8 (9 April 1960): pp. 155–59.

Elliott, Eugene Clinton. “Some Recent Conceptions of Color Theory” (includes artist’s statements). The Journal of Aesthetics and Art Criticism 18, no. 4 (June 1960): pp. 494–503.

Haftmann, Werner. Painting in the Twentieth Century. Translated by Ralph Manheim. London: Lund Humphries, 1960.

Ponente, Nello. Modern Painting, Contemporary Trends. Lausanne, Switzerland: Editions d’Art Albert Skira, 1960.

Tapié, Michel. Morphologie autre (text in French). Turin, Italy: Edizioni d’Arte Fratelli Pozzo, 1960.



“Art: Something for All” (includes artist’s statements). Newsweek 58, no. 5 (31 July 1961): pp. 80–81.

“Major Accessions of 20th Century Art.” Gallery Notes (Memorial Art Gallery, University of Rochester) 26, no. 4 (March 1961): p. 1.

Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection. Chicago: The Art Institute of Chicago, 1961.

The Rochester Memorial Art Gallery of the University of Rochester: Handbook. Rochester, NY: Memorial Art Gallery, University of Rochester, 1961.

Baker, Richard Brown. “Notes on the Formation of My Collection.” Art International 5, no. 7 (20 September 1961): pp. 40–47.

Francis, Henry S. “Annual Report for 1960: Painting Department.” The Bulletin of the Cleveland Museum of Art 48, no. 6 (June 1961): pp. 112–13.

Freedman, Leonard, ed. Looking at Modern Painting (includes artist’s statements). New York: W.W. Norton, 1961.

Fussiner, Howard. “The Use of Subject Matter in Recent Art: An Artist’s Viewpoint.” Art Journal 20, no. 3 (Spring 1961): pp. 134–38.

Goodrich, Lloyd, and John I.H. Baur. American Art of Our Century. New York: Frederick A. Praeger, for the Whitney Museum of American Art, 1961.

Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1961.

Greenberg, Clement. Hofmann. Paris: Éditions Georges Fall, 1961.

Greenberg, Clement. “The Jackson Pollock Market Soars.” New York Times Magazine, 16 April 1961.

Hatch, Robert. “At the Tip of Cape Cod” (includes artist’s statements). Horizon 3, no. 6 (July 1961): pp. 10–29.

Laidman, Hugh. How to Make Abstract Paintings. New York: Viking Press, 1961.

McDarrah, Fred W. The Artist’s World in Pictures. New York: E.P. Dutton, 1961; 2nd ed. New York: Shapolsky, 1988.

Parks, Robert O. “College Museum Notes.” Art Journal 20, no. 4 (Summer 1961): pp. 230, 236.

Reinhardt, Ad. “How to Look at Modern Art in America (1961, Fifteen Years Later)” (cartoon). ARTnews 60 (Summer 1961): p. 37.



The First Five Years: Acquisitions by the Friends of the Whitney Museum of American Art, 1957–1962. New York: Whitney Museum of American Art, 1962.

Hans Hofmann (text in German; catalogue for an exhibition of works on paper; includes artist’s statements). Essay by Friedrich Bayl. Munich: Neue Galerie im Künstlerhaus, 1962.

Ashton, Dore. “Summer Night Bliss: A New Painting by Hans Hofmann” (includes artist’s statements). The Baltimore Museum of Art News 25, no. 3 (Spring 1962): pp. 4–8.

Ashton, Dore. The Unknown Shore: A View of Contemporary Art (includes artist’s statements). Boston: Little, Brown, 1962.

Bayl, Friedrich. “Hans Hofmann in Deutschland” (text in German; includes artist’s statements). Art International 6, no. 7 (25 September 1962): pp. 38–44.

Greenberg, Clement. “After Abstract Expressionism.” Art International 6, no. 8 (25 October 1962): pp. 24–32.

Hunter, Sam. “Abstrakcyjny ekspresjonizm w Ameryce” (text in Polish). Ameryka (United States Information Agency), no. 37 (March 1962): pp. 36–45.

Jacobs, Rachel. “L’Idéologie de la peinture américaine” (text in French). Aujourd’hui, no. 37 (June 1962): pp. 6–19.

Nordness, Lee, ed. Art: USA: Now. Text by Allen S. Weller. Entry “Hans Hofmann” by Kim Levin, pp. 18–21. Lucerne, Switzerland: C.J. Bucher, 1962.

Rosenberg, Harold. “Hans Hofmann’s ‘Life’ Class” (includes artist’s statements). Portfolio and Art News Annual, no. 6 (Autumn 1962): pp. 16–31, 110–15.

Seuphor, Michel. Abstract Painting: Fifty Years of Accomplishment, from Kandinsky to the Present. Translated by Haakon Chevalier. New York: Harry N. Abrams, 1962.

Shores, Louis, ed. Collier’s Encyclopedia with Bibliography and Index. Vol. 12. Entry “Hofmann, Hans” by Henry T. Hopkins, p. 183. New York: Crowell-Collier, 1962.



“Repertory of Means: ‘Bald Eagle’ by Hans Hofmann” (photographic essay by Rudolf Burckhardt). Location 1, no. 1 (Spring 1963): pp. 67–72.

A Selection of Works from the Art Collections at the University of Nebraska. Lincoln: University Art Galleries, University of Nebraska, 1963.

Berkman, Florence. “Ethical Standards Assailed: Art Leaders See Values Confused.” Hartford Times, 21 September 1963.

Berkman, Florence. “Hofmann, Dean of Abstract-Expressionism, Likens Pop Art to Folk Singer in Music” (includes artist’s statements). Hartford Times, 11 September 1963.

Claus, Jürgen. Theorien zeitgenössischer Malerei in Selbstzeugnissen (text in German). Reinbek bei Hamburg, Germany: Rowohlt Taschenbuch Verlag, 1963.

Hess, Thomas B. “Ideas in Search of Words.” Location 1, no. 1 (Spring 1963): pp. 6–7.

Hunter, Sam. Hans Hofmann (includes artist’s statements). With reprints of essays by Hofmann: “Plastic Creation” (1932), pp. 35–38; “The Search for the Real in the Visual Arts” (1948), pp. 39–43; “The Resurrection of the Plastic Arts” and “The Mystery of Creative Relations” (1954), pp. 44–45; “The Color Problem in Pure Painting—Its Creative Origin” (1955), pp. 46–48; “Sculpture” (1933), pp. 49–51. New York: Harry N. Abrams, 1963.

Kaprow, Allan. “The Effect of Recent Art upon the Teaching of Art.” Art Journal 23, no. 2 (Winter 1963–1964): pp. 136–38.

O’Doherty, Brian. “Furniture Comedy: Happening Conceived by Allen [sic] Kaprow Moves Audiences to Childlike Behavior.” New York Times, 19 April 1963.

Rosenberg, Harold. “The Art Galleries: International Art and the New Globalism.” The New Yorker 39, no. 11 (4 May 1963): pp. 166–72.

Seitz, William C., ed. Hofmann Student Dossier. Replies to a questionnaire on Hofmann as a teacher by his students. Typescript from 1963, on deposit at The Museum of Modern Art Library, New York. Excerpts published as William C. Seitz, “Studying with Hofmann,” in Art in America 61, no. 3 (May–June 1973): pp. 56–57.

Tallmer, Jerry. “This Is Khrushchev—Color Him Square” (includes artist’s statements). New York Post, 19 March 1963.



“Hofmann to Finance UC Gallery by Painting Sale.” Berkeley Daily Gazette, 3 April 1964.

Faison, S. Lane, Jr. Art Tours and Detours in New York State. New York: Random House, 1964.

Greenberg, Clement. “A Famous Art Critic’s Collection.” Vogue 143, no. 2 (15 January 1964): pp. 92–95.

Loran, Erle. “Hans Hofmann and His Work” (includes artist’s statements). Artforum 2, no. 11 (May 1964): pp. 32–35.

Peat, Wilbur D. “Hans Hofmann’s Poem of Love” (includes artist’s statement). Bulletin of the Art Association of Indianapolis 51, no. 4 (December 1964): pp. 66–67.

Rosenberg, Harold. The Anxious Object: Art Today and Its Audience (includes artist’s statements). New York: Horizon Press, 1964.

Wallace, Dean. “Unique Art Collection: Hans Hofmann to Donate Art Gallery to University” (includes artist’s statements). San Francisco Chronicle, 4 April 1964.



“Induction of Newly Elected Members of the Institute by Glenway Wescott of the Institute: In the Department of Art.” Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, second series, no. 15 (1965): p. 416.

Claus, Jürgen. “Hans Hofmann dialektische Bilder/Hans Hofmann’s Dialectical Pictures” (text in German and English; includes artist’s statements). Syn: Internationale Beiträge zur neuen Kunst 2 (1965): pp. 33–40.

Geldzahler, Henry. American Painting in the Twentieth Century (includes artist’s statements). New York: The Metropolitan Museum of Art, 1965.

Greenberg, Clement. “America Takes the Lead, 1945–1965” (includes artist’s statements). Part VI of “The Artist Speaks” segment presented by the Archives of American Art. Art in America 53, no. 4 (August–September 1965): pp. 108–29.

Hudson, Andrew. “The Painting as Object.” Canadian Art 22, no. 2 (March/April 1965): pp. 30–39.

Rosenberg, Bernard, and Norris Fliegel. The Vanguard Artist: Portrait and Self-Portrait. Chicago: Quadrangle Books, 1965.

Rosenberg, Harold. “Hans Hofmann” (includes artist’s statements). Vogue 145, no. 9 (May 1965): pp. 192–95, 236.

Sawyer, Kenneth B. “Richard Brown Baker. U.S. Collectors of Modern Art 1.” Studio International 169, no. 861 (January 1965): pp. 36–41.

Sorstein, Betty. “Meet Your Neighbor” (includes artist’s statement). Square Talk (Washington Square Village Tenants Association) 7, no. 2 (6 December 1965): p. 2.

Ulanov, Barry. The Two Worlds of American Art: The Private and the Popular. New York: Macmillan, 1965.



The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1966.

“Hans Hofmann Dies on Eve of 86th Year” (includes artist’s statements). The Villager (Greenwich Village), 24 February 1966.

“Hans Hofmann Dies; Painter, Teacher, 85.” New York Times, 18 February 1966.

“Hans Hofmann: 1880–1966” (includes artist’s statements). Newsweek 67, no. 9 (28 February 1966): p. 85.

“Recent Accessions in the American Field.” Art in America 54, no. 3 (May–June 1966): pp. 45–48.

“Schoolmaster of the Abstract” (includes artist’s statements). Time 87, no. 8 (25 February 1966): pp. 78, 83.

“Toward an Art Museum for Berkeley.” Art Journal 25, no. 3 (Spring 1966): pp. 262–64.

Ashton, Dore. “Protest: Politics and Painters.” Art Voices 5, no. 3 (Summer 1966): pp. 20–29.

Cummings, Paul. A Dictionary of Contemporary American Artists. New York: St. Martin’s Press, 1966.

Davenport, William. Art Treasures in the West. A Sunset Book. Menlo Park, CA: Lane Magazine & Book Company, 1966.

Hess, Thomas B. “Hans Hofmann: The Last Optimist.” New York Times, 27 February 1966.

Kaprow, Allan. “Hans Hofmann.” Village Voice, 24 February 1966.

Kramer, Hilton. “Symbol of Change: Hofmann, Teacher, Theorist and Artist, Codified and Passed on Modern Legacy.” New York Times, 18 February 1966.

Kuchta, Ronald A. “Hans Hofmann, a Tribute.” Provincetown Advocate, 3 March 1966.

Messer, Thomas M. “Kandinsky en Amérique” (text in French). XXe siècle 27 (December 1966): pp. 111–17.

Neugass, Fritz. “Lehrer und Lebenskünstler: Zum Tode Hans Hofmanns” (text in German). Frankfurter Allgemeine Zeitung, 25 February 1966.

Rosenberg, Harold. “Hans Hofmann, 1880–1966: Eulogy Delivered by Harold Rosenberg at the Artist’s Funeral, February 20” (includes artist’s statements). ARTnews 65, no. 2 (April 1966): p. 21.

S., D. “Ein großer Anreger: Zum Tode des Malers Hans Hofmann” (text in German). Süddeutsche Zeitung, 21 February 1966.



The Artist in America (includes artist’s statements). Compiled by the editors of Art in America. Excerpt from Hofmann’s address at the 1941 symposium at the Riverside Museum in New York, pp. 197–98. New York: W.W. Norton, 1967.

“Bring Your Own Shovel Dedication Set at UC.” Berkeley Daily Gazette, 25 September 1967.

Nebraska Art Today: A Centennial Invitational Exhibition. Omaha, NE: Joslyn Art Museum, 1967.

Ashton, Dore. “Gli inizi dell’espressionismo astratto in America” (text in Italian). L’Arte Moderna 13, no. 109 (1967): pp. 1–40.

Coates, Robert M. “Hans Hofmann: 1880–1966.” Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, second series, no. 17 (1967): pp. 78–79.

Gibson, Josephine R. “On the Cover.” Music Educators Journal 54, no. 3 (November 1967): pp. 33, 35–36.

Glauber, Robert H. “Hans Hofmann: Small Range in Depth.” Skyline (21 February 1967).

Haydon, Harold. Great Art Treasures in America’s Smaller Museums. New York: G.P. Putnam’s Sons, 1967.

Hawthorne, Mark. “F.B.I. Retrieves $250,000 in Art: Works Stolen from Studio of Hofmann Recovered.” New York Times, 11 March 1967.

Hundt, Reed. “Olin and Co. Face Challenge in Restoring Works of Art.” The Smithsonian Torch (September 1967): p. 3.

Knobler, Nathan. The Visual Dialogue: An Introduction to the Appreciation of Art. New York: Holt, Rinehart & Winston, 1967.

Kootz, Samuel M. “The Credibility of Color: Hans Hofmann, an Area of Optimism” (includes artist’s statements). Arts Magazine 41, no. 4 (February 1967): pp. 37–39.

Michelson, Annette. “An Art Scholar’s Loft: The New York Apartment of William Rubin.” Vogue 149, no. 6 (15 March 1967): pp. 136–43, 154–55.

Millard, Charles W. “Some Thoughts on American Painting.” The Hudson Review 20, no. 2 (Summer 1967): pp. 268–74.

Rose, Barbara. American Art since 1900: A Critical History (includes artist’s statements). New York: Frederick A. Praeger, 1967; rev. ed. New York: Holt, Rinehart & Winston, 1975.

Rosenberg, Harold. “The Art World: Hypothesis for Criticism.” The New Yorker 43, no. 31 (23 September 1967): pp. 145–54.

Rosenberg, Harold. “The Art World: Lights! Lights!” The New Yorker 43, no. 35 (21 October 1967): pp. 189–98.

Rosenberg, Harold. “Homage to Hans Hofmann.” ARTnews 65, no. 9 (January 1967): pp. 49, 72–73.

Seldis, Henry J. “In the Galleries: University Elevates Bay Area Art.” Los Angeles Times, 17 July 1967.

Simon, Sidney. “Concerning the Beginnings of the New York School: 1939–1943. Interviews with Busa, Matta and Motherwell, Conducted by Sidney Simon.” Art International 11, no. 6 (Summer 1967): pp. 17–23.

Thiessen, Leonard. “What Have We Gained This Year?” Omaha World Herald, Sunday World Herald Magazine, 5 November 1967.



“Additions to Collections.” The Brooklyn Museum Annual 9 (1967–1968): pp. 52–53.

“Paintings of the Later Twentieth Century.” Cincinnati Art Museum Bulletin 8, no. 4 (October 1968): pp. 13–15.

Arnason, H.H. History of Modern Art: Painting, Sculpture, Architecture. New York: Harry N. Abrams, 1968.

Rosenberg, Harold. “The Art World: The Concept of Action in Painting.” The New Yorker 44, no. 14 (25 May 1968): pp. 116–28.

Rosenberg, Harold. “The Art World: Primitive à la Mode.” The New Yorker 44, no. 36 (26 October 1968): pp. 145–50.

Rubin, William. Dada and Surrealist Art. London: Harry N. Abrams, 1968.

Schinneller, James. Art: Search and Self-Discovery. 2nd ed. Scranton, PA: International Textbook, 1968.

Weller, Allen S. The Joys and Sorrows of Recent American Art (includes artist’s statements). Urbana: University of Illinois Press, 1968.



The Cultural Olympiad: Mexico 68. Vol. 4. Mexico City: Organizing Committee of the Games of the XIX Olympiad, 1969.

Fifty Treasures of the Dayton Art Institute. Essays and documentation by Bruce H. Evans. Dayton, OH: The Dayton Art Institute, 1969.

Bannard, Walter Darby. “Hofmann’s Rectangles.” Artforum 7, no. 10 (Summer 1969): pp. 38–41.

Claman, Julian. “Some Observations on the State of the Arts in America Today: Painting and Sculpture.” Harper’s Bazaar (February 1969): p. 4 [per Emmerich].

Lucie-Smith, Edward. Late Modern: The Visual Arts since 1945. New York: Praeger, 1969.

Rose, Barbara. American Painting: The 20th Century. [Lausanne, Switzerland]: Skira, 1969.

Rosenberg, Harold. The Anxious Object: Art Today and Its Audience. 2nd ed. New York and Toronto: New American Library, 1969.

Rosenberg, Harold. Artworks and Packages. New York: Horizon Press, 1969.

Waddington, C.H. Behind Appearance: A Study of the Relations between Painting and the Natural Sciences in This Century. Cambridge, MA: The M.I.T. Press, 1969.



American Painting, 1900–1970 (includes artist’s statements). New York: Time-Life Books, 1970.

Collection of American Republic Insurance Company. Des Moines, IA: American Republic Insurance Company, 1970.

Ashton, Dore. Modern American Painting. A Mentor-Unesco Art Book. New York: New American Library, 1970.

Bannard, Walter Darby. “Notes on American Painting of the Sixties.” Artforum 8, no. 5 (January 1970): pp. 40–45.

Bannard, Walter Darby. “Notes on an Auction.” Artforum 9, no. 1 (September 1970): pp. 62–64.

Gouk, Alan. “An Essay on Painting” (includes artist’s statements). Studio International 180, no. 926 (October 1970): pp. 145–49.

Michener, James A. “Why I Collect Art” (includes artist’s statements). Reader’s Digest 96, no. 577 (May 1970): pp. 147–52.

Roos, Frank J., Jr. An Illustrated Handbook of Art History. 3rd ed. London: Macmillan, 1970.

Rosenberg, Harold. “The Teaching of Hans Hofmann” (includes artist’s statements). Arts Magazine 45, no. 3 (December 1970/January 1971): pp. 17–19.

Sandler, Irving. The Triumph of American Painting (includes artist’s statements). New York: Praeger, 1970.

Secrest, Meryle. “High-Priced Art: It’s a Steal.” New York Magazine 3, no. 20 (18 May 1970): pp. 46–51.



Fogg Art Museum Acquisitions, 1969–1970. Cambridge, MA: Harvard University, 1971.

“Important New Acquisition for the Fogg.” Fogg Art Museum Newsletter 8, no. 2 (January 1971).

Wilmington Evening Journal, 27 December 1971 [per Delaware Art Museum].

Abbey, Rita Deanin. “Color: Man and Nature. Josef Albers’ Interaction of Color and Hans Hofmann’s Search for the Real” (book review of the 1967 reprint). Art Journal 31, no. 1 (Autumn 1971): pp. 110, 112.

Baker, Elizabeth C. “Hans Hofmann: Abstract-Expressionism and Color in New York, 1945–65” (includes artist’s statements). Art News Annual 37, special issue: Painterly Painting, edited by Thomas B. Hess and John Ashbery (1971): pp. 105–16.

Bannard, Walter Darby. “Touch and Scale: Cubism, Pollock, Newman and Still.” Artforum 9, no. 10 (June 1971): pp. 58–66.

Emmerich, André. “Statements by Gallery Directors: André Emmerich.” Arts Magazine 45, no. 6 (April 1971): pp. 56–57.

Gerdts, William H., and Russell Burke. American Still-Life Painting. New York: Praeger, 1971.

Knobler, Nathan. The Visual Dialogue: An Introduction to the Appreciation of Art. 2nded. New York: Holt, Rinehart & Winston, 1971.

Loran, Erle. “The Hofmann Collection—An Artist’s Comments.” San Francisco Sunday Examiner and Chronicle, 10 January 1971.

Louden, Lynn. “Apollo and Dionysus in Contemporary Art” (includes artist’s statements). Arts Magazine 45, no. 3 (December 1970/January 1971): pp. 20–23.

Plagens, Peter. “West Coast Blues.” Artforum 9, no. 6 (February 1971): pp. 52–57.

Rose, Barbara. “Where Vitality Rests in Abstract Art.” Vogue 157, no. 5 (1 March 1971): p. 156.

Willard, Charlotte. Famous Modern Artists: From Cézanne to Pop Art (includes artist’s statements). New York: Platt & Munk, 1971.



Contemporary Art 1942–72: Collection of the Albright-Knox Art Gallery. New York: Praeger, in association with the Albright-Knox Art Gallery, Buffalo, NY, [1972].

Ashton, Dore. The New York School: A Cultural Reckoning (includes artist’s statements). New York: Viking Press, 1972.

Price, Vincent. The Vincent Price Treasury of American Art (includes artist’s statements). Waukesha, WI: Country Beautiful Corp., 1972.

Rosenberg, Harold. The De-definition of Art: Action Art to Pop to Earthworks. New York: Horizon Press, 1972.



The McGraw-Hill Encyclopedia of World Biography: An International Reference Work. Vol. 5. Entry “H. Hofmann” by William C. Lipke, pp. 310–11. New York: McGraw-Hill, 1973.

Baker, Kenneth. “How to Dismantle Realistic Painting.” Christian Science Monitor, 7 November 1973.

Davidson, Marshall B. The American Heritage History of the Artists’ America. New York: American Heritage Publishing Company, 1973.

Franc, Helen M. An Invitation to See: 125 Paintings from The Museum of Modern Art. New York: The Museum of Modern Art, 1973.

Freudenheim, Tom. “The Robert and Jane Meyerhoff Collection.” Record: The Baltimore Museum of Art 3, no. 5 (January–February 1973): n.p.

Greenberg, Clement. Henri Matisse. New York: Acquavella Galleries, 1973.

Hunter, Sam. American Art of the 20th Century: Painting, Sculpture, Architecture. New York: Harry N. Abrams, 1973.

Johnson, Charlotte Buel. Contemporary Art: Exploring Its Roots and Development. Worcester, MA: Davis Publications, 1973.

Preble, Duane. Man Creates Art Creates Man. Berkeley, CA: McCutchan Pub. Corp., 1973.

Rosenberg, Harold. Discovering the Present: Three Decades in Art, Culture, and Politics. Chicago: University of Chicago Press, 1973.

Sandler, Irving. “Hans Hofmann: The Pedagogical Master” (includes artist’s statements). Art in America 61, no. 3 (May–June 1973): pp. 48–55.



“Curatorial Reports: Department of Contemporary Art.” The Museum Year: 1972–73; Annual Report of the Museum of Fine Arts, Boston (1974): pp. 44–45.

Cochrane, Diane. “The Teachings of Hans Hofmann: Push and Pull.” American Artist 38, no. 380: The Education Issue (March 1974): pp. 26–35, 63–65.



The Chase, the Capture: Collecting at the Metropolitan. Essays by Thomas Hoving and members of The Metropolitan Museum staff. New York: The Metropolitan Museum of Art, 1975.

The Collective Unconscious: American and Canadian Art: 1940–1950. Introduction by Karen Wilkin. Edmonton, Canada: Edmonton Art Gallery, 1975.

Illustrated Handbook, 1976. Boston: Museum of Fine Arts, Boston, 1975.

Personal Selections from the Mrs. Harry Lynde Bradley Collection. New Orleans, LA: Bradley Family Foundation, 1975.

Miller, Robert Peter. “Some Thoughts on Hans Hofmann.” Mulch 3, no. 2 (Winter–Spring 1975): pp. 26–28.

Moffett, Kenworth. “Some Recent Accessions: Hans Hofmann.” Boston Museum Bulletin 73, no. 369 (1975): pp. 24–25.

Rose, Barbara. Readings in American Art 1900–1975 (includes artist’s statements). Excerpts from “The Color Problem in Pure Painting—Its Creative Origin” (1955) by Hofmann, pp. 116–18; and an interview with Hofmann by Irma B. Jaffe (1971), pp. 120–21. Reprint of “Statement” in It Is (1959), by Hofmann, pp. 118–20. New York: Praeger, 1975.

Rosenberg, Harold. Art on the Edge: Creators and Situations (includes artist’s statements). New York: Macmillan, 1975.

Russell, John. The Meanings of Modern Art. Vol. 10, America Redefined. New York: The Museum of Modern Art, 1975.



“Permanent Collection of the DAI Well Worth a Visit.” Dayton Journal Herald, 20 May 1976 [per The Dayton Art Institute].

Davis, Douglas, and Mary Rourke. “American Art 200 Years On.” Newsweek (9 February 1976): p. 67.

Landau, Ellen G. “The French Sources for Hans Hofmann’s Ideas on the Dynamics of Color-Created Space” (includes artist’s statements). Arts Magazine 51, no. 2 (October 1976): pp. 76–81.

Sharpe, Margy P., ed. The Collection of Mr. and Mrs. David Lloyd Kreeger. Introductions by Charles W. Millard, J. Carter Brown, Richard L. Feigen, and Warren M. Robbins. Richmond, VA: W.M. Brown, 1976.

Stebbins, Theodore E., Jr. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present. New York: Harper & Row, 1976.

Teitz, Richard Stuart. “Recent Acquisitions: Contemporary American Painting and Sculpture” (includes artist’s statements). Worcester Art Museum Bulletin 6, no. 1 (November 1976): pp. 1–16.



“Acquisitions.” Gallery Notes (Memorial Art Gallery, University of Rochester) 42, no. 10 (May 1977): p. 1.

The Montreal Museum of Fine Arts: Guide. Montreal, Canada: The Montreal Museum of Fine Arts, 1977.

Barr, Alfred H., Jr. Painting and Sculpture in The Museum of Modern Art, 1929–1967. New York: The Museum of Modern Art, 1977.

Cleaver, Dale G., and John M. Eddins. Art and Music: An Introduction. New York: Harcourt Brace Jovanovich, 1977.

Glueck, Grace. “The 20th-Century Artists Most Admired by Other Artists.” ARTnews76, no. 9 (November 1977): pp. 78–103.

Gold, Barbara. “Hirshhorn Museum Shows How It’s Doing.” Baltimore Sun, 27 March 1977 [per Hirshhorn].

Lucie-Smith, Edward. Art Now: From Abstract Expressionism to Superrealism. New York: William Morrow, 1977.

Millard, Charles W. “Hans Hofmann.” The Hudson Review 30, no. 3 (Autumn 1977): pp. 404–08.

Phillips, Robert. “Abstract Expressionists: Hans Hofmann, Night Spell.” Toledo Museum of Art Museum News 19, no. 4 (1977): pp. 89–91, 97.

Tighe, Mary Ann, and Elizabeth Ewing Lang. Art America. New York: McGraw-Hill, 1977.



The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1978.

“Inspired Teacher.” MD Medical News Magazine 22, no. 11 (November 1978): pp. 128–34.

“New Acquisitions: Modern Art.” Members’ Calendar (Los Angeles County Museum of Art) 16, no. 3 (March 1978): p. 1.

Lucie-Smith, Edward, Sam Hunter, and Adolf Max Vogt. Kunst der Gegenwart (text in German). Frankfurt am Main, Germany: Propyläen Verlag, 1978.

Preble, Duane, and Sarah Preble. Artforms. 2nd ed. of Man Creates Art Creates Man (1973). San Francisco: Canfield Press, 1978.

Rose, Barbara. “Hans Hofmann: From Expressionism to Abstraction” (includes artist’s statements). Arts Magazine 53, no. 3 (November 1978): pp. 110–14.

Sandler, Irving. The New York School: The Painters and Sculptors of the Fifties (includes artist’s statements). New York: Harper & Row, 1978.

Wooster, Ann Sargent, and Wendy Shore. Modern American Painting. New York: Shorewood, 1978.



Baigell, Matthew. Dictionary of American Art (includes artist’s statements). New York: Harper & Row, 1979.

Brown, Milton W., Sam Hunter, John Jacobus, Naomi Rosenblum, and David M. Sokol. American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography. New York: Harry N. Abrams, 1979.

Diamonstein, Barbaralee. Inside New York’s Art World. New York: Rizzoli, 1979.

Goodman, Cynthia. “Hans Hofmann as a Teacher” (includes artist’s statements). Arts Magazine 53, no. 8 (April 1979): pp. 120–25.

Strickler, Susan E. American Paintings. Toledo, OH: Toledo Museum of Art, 1979.




“Hofmann’s Blue Spell.” Dialogue: The Ohio Arts Journal (May/June 1980): p. 56.

Society for Contemporary Art: 1940–1980. Chicago: Society for Contemporary Art, The Art Institute of Chicago, 1980.

Glueck, Grace. “Met Is Given a $12 Million Art Collection.” New York Times, 10 December 1980.

Hess, Alice. “Great Private Collections: A Chicago Visionary.” Saturday Review 7, no. 14 (October 1980): pp. 72–75.

Hibbard, Howard. The Metropolitan Museum of Art. New York: Harper & Row, 1980. Reprint, New York: Harrison House, 1986.

Janson, Anthony F., and A. Ian Fraser. 100 Masterpieces of Painting in the Indianapolis Museum of Art. Indianapolis, IN: Indianapolis Museum of Art, 1980.

Kinkead, Gwen. “The Spectacular Fall and Rise of Hans Hofmann.” ARTnews 79, no. 6 (Summer 1980): pp. 88–96.

Rogers, Millard F., Jr. Favorite Paintings from the Cincinnati Art Museum. New York: Abbeville Press, 1980.

Sundell, Nina. The Robert and Jane Meyerhoff Collection, 1958–1979 (includes artist’s statements). Essay by Jane Meyerhoff. [Phoenix, MD]: J. Meyerhoff, 1980.



Masterpieces from the Boston Museum. Boston: Museum of Fine Arts, Boston, 1981.

The Sun Gallery: An Exhibition at Provincetown Art Association and Museum. Essays by Irving Sandler and Tony Vevers. Provincetown, MA: Provincetown Art Association and Museum, 1981.

Goodman, Cynthia. “Hans Hofmann” (includes artist’s statements). Portfolio 3, no. 1 (January/February 1981): pp. 46–47.

Gouk, Alan. “Put up or Shut up: Hofmann at the Tate.” Artscribe, no. 29 (June 1981): pp. 24–27.

Landau, Ellen G. “Lee Krasner’s Early Career: Part Two, the 1940s” (includes artist’s statements). Arts Magazine 56, no. 3 (November 1981): pp. 80–89.

Morrow, Suzanne Stark. “The Collectors: Honoring Contemporary Art—Dr. and Mrs. Jack M. Farris in California.” Architectural Digest 38, no. 2 (February 1981): pp. 134–39.

Murray, Jesse. “Hans Hofmann’s Use of Nature as Aesthetic Norm.” Arts Magazine 55, no. 6 (February 1981): pp. 105–09.

Osborne, Harold, ed. Oxford Companion to Twentieth-Century Art. Oxford: Oxford University Press, 1981.

Rugoff, Milton, ed. Encyclopedia of American Art (includes artist’s statements). Entry “Hofmann, Hans” by E[ugen] C. G[oossen], pp. 282–83. New York: E.P. Dutton, 1981.

Russell, John. The Meanings of Modern Art (includes artist’s statements). New York: The Museum of Modern Art; Harper & Row, 1981.

Selz, Peter. Art in Our Times: A Pictorial History, 1890–1980 (includes artist’s statements). New York: Harry N. Abrams, 1981.

Soffer, Miriam. “Sweet Land of Liberty.” NAHO (New York State Museum and Science Service) 13, no. 1–2 (Spring–Summer 1981): pp. 42–46.



The Chrysler Museum: Selections from the Permanent Collection, Norfolk, Virginia. Norfolk, VA: Chrysler Museum of Art, 1982.

Museum of Contemporary Art: Fifteen Years and Beyond. Chicago: Museum of Contemporary Art, Chicago, 1982.

Ashton, Dore. American Art since 1945. London: Thames & Hudson, 1982.

Cathcart, Linda L. The Americans: The Collage. Houston: Contemporary Arts Museum, 1982.

Cox, Annette. Art-as-Politics: The Abstract Expressionist Avant-Garde and Society. Ann Arbor, MI: UMI Research Press, 1982.

Kahn, Wolf. “Hans Hofmann’s Good Example” (includes artist’s statements). Art Journal 42, no. 1 (Spring 1982): pp. 22–23.

Kingsley, April. “Art on the Beach: Provincetown People and Places” (includes artist’s statements). Art Express 2, no. 2 (March–April 1982): pp. 45–49.

Restany, Pierre. L’Aventure de l’art abstrait: de l’esthétique à l’éthique, 1945–1965 (text in French). Vol. 5 of La Grande Histoire de la peinture moderne. Geneva: Skira, 1982.



“Collector’s Close-up” (includes artist’s statements). Architectural Digest 40, no. 7 (July 1983): pp. 46, 50.

Hans Hofmann: Esseitä (text in Finnish; includes artist’s statements). Essays by Katharine Kuh, Jesse Murry, and Ellen Landau. Helsinki: Vapaa Taidekoulu, 1983.

The Tate Gallery 1980–82: Illustrated Biennial Report. London: Tate Gallery Publications, 1983.

Goodman, Cynthia. “Hans Hofmann as Teacher.” The American Federation of Arts Newsletter (January 1983): pp. 2–4.

Hanhisalo, Judith Evans. Enjoying Art: Painting, Sculpture, Architecture, and the Decorative Arts. Englewood Cliffs, NJ: Prentice-Hall, 1983.

Larson, Kay. “How Should Artists Be Educated?” ARTnews 82, no. 9 (November 1983): pp. 85–91.

Myers, John Bernard. Tracking the Marvelous: A Life in the New York Art World (includes artist’s statements). New York: Random House, 1983.

Seitz, William C. Abstract Expressionist Painting in America (includes artist’s statements). Cambridge, MA: Harvard University Press for the National Gallery of Art, Washington, DC, 1983.



Hans Hofmann: Explorations of Major Themes: Pictures on Paper 1940–1950 (catalogue for an exhibition of works on paper; includes artist’s statements). New York: André Emmerich Gallery, 1984.

Masterpieces from the Cincinnati Art Museum. Cincinnati, OH: Cincinnati Art Museum, 1984.

The Museum of Modern Art, New York: The History and the Collection. Introduction by Sam Hunter. New York: Harry N. Abrams in association with The Museum of Modern Art, New York, 1984; reprint, 1997.

The Tate Gallery 1980–82: Illustrated Catalogue of Acquisitions. London: Tate Gallery Publications, 1984.

Baigell, Matthew. A Concise History of American Painting and Sculpture (includes artist’s statements) New York: Harper & Row, 1984; rev. ed. New York: Icon Editions, 1996.

Barnett, Vivian Endicott. 100 Works by Modern Masters from the Guggenheim Museum. Introduction by Thomas M. Messer. New York: Solomon R. Guggenheim Foundation; distributed by Harry N. Abrams, 1984.

Belz, Carl. “Rose Art Museum: Commitment to Contemporary Art.” Brandeis Review 3, no. 5 (Spring 1984): pp. 18–21.

Britsch, Ralph A., and Todd A. Britsch. The Arts in Western Culture. Englewood Cliffs, NJ: Prentice-Hall, 1984.

De Antonio, Emile, and Mitch Tuchman. Painters Painting: A Candid History of the Modern Art Scene, 1940–1970. New York: Abbeville Press, 1984.



Albright, Thomas. Art in the San Francisco Bay Area 1945–1980: An Illustrated History. Berkeley: University of California Press, 1985.

Ashton, Dore, ed. Twentieth-Century Artists on Art (includes artist’s statements). Excerpts from interview of Hofmann by Katharine Kuh in 1962, pp. 217–18. New York: Pantheon Books, 1985.

Doe, Donald Bartlett. “Cubism in America.” Resource/Reservoir (Sheldon Memorial Art Gallery) 1, no. 1 (1985): pp. 1–8.

Du Pont, Diana C., Katherine Church Holland, Garna Garren Muller, and Laura L. Sueoka. San Francisco Museum of Modern Art: The Painting and Sculpture Collection. Entry “Hans Hofmann” by K[atherine] C[hurch] H[olland], p. 160. San Francisco: Hudson Hills Press, 1985.

Feldman, Edmund Burke. Thinking about Art. Englewood Cliffs, NJ: Prentice-Hall, 1985.

Giuliano, Charles. “Provincetown: It Figures.” Art New England 6, no. 8 (July/August 1985): pp. 10, 28.

Henning, William T., Jr. A Catalogue of the American Collection: Hunter Museum of Art, Chattanooga, Tennessee. Chattanooga, TN: Hunter Museum of Art, 1985.

Landau, Ellen G. “Space and Pictorial Life: Hans Hofmann’s Smaragd Red and Germinating Yellow” (includes artist’s statements). The Bulletin of the Cleveland Museum of Art 72, no. 5 (September 1985): pp. 310–23.

Leland, Nita. Exploring Color (includes artist’s statements). Cincinnati, OH: North Light Publishers, 1985.

Lucie-Smith, Edward. Art of the 1930s: The Age of Anxiety. New York: Rizzoli, 1985.

Mortimer, Kristin A. Harvard University Art Museums: A Guide to the Collections. Cambridge, MA: Harvard University Art Museums, 1985.

Reif, Rita. “Barnett Newman’s ‘Ulysses’ Sold at Sotheby’s Auction.” New York Times, 3 May 1985.

Rosenberg, Harold. Art & Other Serious Matters (includes artist’s statements). Chicago: University of Chicago Press, 1985.

Shipp, Steve. “Eight Newlyn Artists and Hofmann, Held & Hockney.” World Fine Art (27 February 1985): pp. 1–3.



American Art Analog. Vol. 3 (includes artist’s statements). Compiled by Michael David Zellman. New York: Chelsea House in association with American Art Analog, 1986.

Crosscurrents: An Exchange Exhibition between Guild Hall Museum and the Provincetown Art Association and Museum (includes artist’s statements). East Hampton, NY: Guild Hall, 1986.

The Interpretive Link: Abstract Surrealism into Abstract Expressionism; Works on Paper, 1938–1948 (exhibition catalogue of works on paper; includes artist’s statements). Entry “Hans Hofmann” by A[nne] A[yres], p. 92. Newport Beach, CA: Newport Harbor Art Museum, 1986.

John Berggruen Gallery. San Francisco: John Berggruen Gallery, 1986.

Agee, William C. “For Collectors: Muriel Kallis Newman—Life among the Moderns.” Architectural Digest 43, no. 12 (December 1986): pp. 66, 70, 72.

Gardner, Helen. Art through the Ages. 8th ed., revised by Horst de la Croix and Richard G. Tansey. San Diego, CA: Harcourt Brace Jovanovich, 1986.

Goldstein, Rosalie, ed. Guide to the Permanent Collection. Milwaukee, WI: Milwaukee Art Museum, 1986.

Goodman, Cynthia. Hans Hofmann (includes artist’s statements). Modern Masters Series 10. New York: Abbeville Press, 1986.

Goodman, Cynthia. “Hans Hofmann: The Breakthrough Years” (includes artist’s statements). Provincetown Arts (July 1986): pp. 6–7, 23.

Green, Theodora. “Abstract Expressionism in Australia: American Parallels and Influences.” ART and Australia 23, no. 4 (Winter 1986): pp. 485–91.

Greenberg, Clement. The Collected Essays and Criticism. 4 vols. Edited by John O’Brian. Chicago: University of Chicago Press, 1986–1993.

Haftmann, Werner. Verfemte Kunst: Bildende Künstler der inneren und äusseren Emigration in der Zeit des Nationalsozialismus (text in German; includes artist’s statements). Cologne: DuMont Buchverlag, 1986.

Hughes, Edan Milton. Artists in California, 1786–1940. San Francisco: Hughes Publishing Company, 1986.

Plagens, Peter. Moonlight Blues: An Artist’s Art Criticism. Ann Arbor, MI: UMI Research Press, 1986.

Reif, Rita. “Contemporary Art Sale.” New York Times, 6 May 1986.

Sporborg, Alison. “Art in Its Soul: The Provincetown Documentary.” The Review: Cape Cod’s Arts & Antiques Magazine (January/February 1986): pp. 60–61.

Stich, Sidra. “Hans Hofmann in Berkeley.” University Art Museum, Pacific Film Archive Calendar (November/December 1986): pp. 1–2.

Weiss, Evelyn. Museum Ludwig Köln. 2. Bestandskatalog (text in German). Munich: Prestel-Verlag, 1986.



“Visual Arts: Berlin, Center City.” Ricochet, no. 1 (Fall 1987): p. 43.

Collins, Bradford R. “Clement Greenberg and the Search for Abstract Expressionism’s Successor: A Study in the Manipulation of Avant-Garde Consciousness.” Arts Magazine 61, no. 9 (May 1987): pp. 36–43.

Day, Holliday T., and Hollister Sturges, eds. Joslyn Art Museum: Paintings and Sculpture from the European and American Collections. Entry “Hans Hofmann” by J[anet] L. F[arber], pp. 206–07. Omaha, NE: Joslyn Art Museum, 1987.

Hofstadter, Dan. “Profiles: Almost Free of the Mirror.” The New Yorker 63, no. 29 (7 September 1987): pp. 54–73.

Hoving, Thomas. “The Grand Tour: Rating California’s Art Museums and Their Contents.” Connoisseur 217 (February 1987): pp. 94–103.

Krane, Susuan, Robert Evren, and Helen Raye. Albright-Knox Art Gallery: The Painting and Sculpture Collection: Acquisitions since 1972 (includes artist’s statements). Entry “Hans Hofmann” by R[obert] E[vren], p. 169. New York: Hudson Hills Press, in association with Albright-Knox Art Gallery, 1987.

Kutner, Janet. “A ‘Classic’ Buy: FW Art Museum Acquires a Hans Hofmann Abstract.” Dallas Morning News, 7 May 1987.

Lader, Melvin P., and Fred Licht. Peggy Guggenheim’s Other Legacy. New York: Trustees of the Solomon R. Guggenheim Foundation, 1987.

Larson, Kay. “The Dictatorship of Clement Greenberg” (includes artist’s statements). Artforum International 25, no. 10 (Summer 1987): pp. 76–79.

Levin, Gail. Twentieth-Century American Painting: The Thyssen-Bornemisza Collection (includes artist’s statements). London: Published for Sotheby’s Publications by Philip Wilson, 1987.

Sewell, Carol. “Museum Buys Major Modern Painting.” Fort Worth Star-Telegram, 7 May 1987.

Spaulding, Karen Lee, ed. 125 Masterpieces from the Collection of the Albright-Knox Art Gallery. Entry “Hans Hofmann” by E[thel] M[oore] and R[obert] E[vren], p. 184. New York: Rizzoli International Publications, in association with the Albright-Knox Art Gallery, 1987.

Thaw, Eugene Victor. The Abstract Expressionists. New York: The Metropolitan Museum of Art, 1987.

Wollheim, Richard. Painting as an Art. Princeton, NJ: Princeton University Press, 1987.



The Tate Gallery: Illustrated Biennial Report 1986–88 (includes artist’s statements). London: Tate Gallery Publications, 1988.

Bott, Gerhard. “‘Aug in Aug mit sich selbst’: Zu einem neuer worbenen Selbstbildnis von Hans Hofmann” (text in German). Monats Anzeiger: Museen und Ausstellungen in Nürnberg, no. 87 (June 1988): pp. 693–94.

Finch, Christopher. Twentieth Century Watercolors. New York: Abbeville Press, 1988.

Geske, Norman A., and Karen O. Janovy. The American Painting Collection of the Sheldon Memorial Art Gallery. Entry “Hans Hofmann” by N[orman] A. G[eske], p. 88. Lincoln: University of Nebraska Press, 1988.

Hudson, Andrew. “Disappearing Masterpieces.” Museum & Arts Washington 4, no. 3 (May/June 1988): pp. 63, 78.

Peters, Susan Dodge, ed. Memorial Art Gallery: An Introduction to the Collection (includes artist’s statements). Entry “Hans Hofmann” by P[enny] K[nowles], pp. 220–21. Rochester, NY: Memorial Art Gallery, University of Rochester, 1988.

Rotenberg, Carl T. “Selfobject Theory and the Artistic Process.” In Learning from Kohut: Progress in Self Psychology, vol. 4, edited by Arnold Goldberg, pp. 193–213. Hillsdale, NJ: Analytic Press, 1988.

Schimmel, Paul, and Judith E. Stein, eds. The Figurative Fifties: New York Figurative Expressionism (includes artist’s statements). Newport Beach, CA: Newport Harbor Art Museum, 1988.



The Hans Hofmann Collection at the University Art Museum and Pacific Film Archive [brochure] (includes artist’s statements). Introduction by Jacquelynn Baas; essay by Peter Selz. Berkeley: University Art Museum and Pacific Film Archive of the University of California at Berkeley, [1989].

Daval, Jean-Luc. History of Abstract Painting. Paris: Fernand Hazan, 1989.

Lucie-Smith, Edward. Art Today. 3rd ed. Oxford: Phaidon, 1989.

Mackie, Alwynne. Art/Talk: Theory and Practice in Abstract Expressionism. New York: Columbia University Press, 1989.

Naifeh, Steven, and Gregory White Smith. Jackson Pollock: An American Saga (includes artist’s statements). New York: Clarkson N. Potter, 1989.

Shipp, Steve. “Women Artists (1880s) & the New York School.” World Fine Art (25 January 1989): pp. 1–2, 4–7.

Taylor, Robert. “The Costly Quest for Contemporary Art.” Boston Sunday Globe, 12 February 1989.



Handbook of the Collection. Essay by Russell Panczenko. Madison: Elvehjem Museum of Art, University of Wisconsin, 1990.

Anfam, David. Abstract Expressionism (includes artist’s statements). London: Thames & Hudson, 1990.

Dunbar, Prescott N. The New Orleans Museum of Art: The First Seventy-Five Years. Baton Rouge: Louisiana State University Press, 1990.

Gibson, Ann Eden. Issues in Abstract Expressionism: The Artist-Run Periodicals (includes artist’s statements). Ann Arbor, MI: UMI Research Press, 1990.

Jones, Caroline A. Bay Area Figurative Art, 1950–1965. San Francisco: San Francisco Museum of Modern Art; Berkeley: University of California Press, 1990.

Kahn, Wolf. “Hofmann’s Mixed Messages” (includes artist’s statements). Art in America 78, no. 11 (November 1990): pp. 188–91, 215.

Kingsley, April. “Hans Hofmann at Mid-century” (includes artist’s statements).Provincetown Arts 6 (1990): pp. 122–29.

Moszynska, Anna. Abstract Art. London: Thames & Hudson, 1990.

Riddell, W[illiam] A. The Mackenzie Art Gallery: Norman Mackenzie’s Legacy. Contributions by Timothy Long and Cindy Richmond. Regina, Canada: Mackenzie [sic] Art Gallery, 1990.

Ross, Clifford, ed. Abstract Expressionism: Creators and Critics; An Anthology (includes artist’s statements). Reprint of Hofmann’s “Search for the Real in the Visual Arts” (1948), pp. 77–85, and “Painting and Culture” (1931/1948), pp. 85–87. New York: Harry N. Abrams, 1990.

Shapiro, David, and Cecile Shapiro, eds. Abstract Expressionism: A Critical Record (includes artist’s statements). Cambridge: Cambridge University Press, 1990.

S[ims], L[owery] S[tokes]. “Hans Hofmann.” The Metropolitan Museum of Art Bulletin 48, no. 2, Recent Acquisitions: A Selection 1989–1990 (Autumn 1990): p. 72.

Vevers, Tony. “The Idea of an Avant Garde in the Late ’50s.” Provincetown Arts 6, Annual Issue (1990): pp. 130–32.



See for Yourself: Abstract and Expressionist Art. Saint Louis, MO: Saint Louis Art Museum, 1991 [per Saint Louis Art Museum].

Goodman, Cynthia. “[Hans Hofmann]” (includes artist’s statements). Portraits: The Lives and Works of Eminent Artists 1, no. 4 (1991): n.p.

Le Clair, Charles. Color in Contemporary Painting (includes artist’s statements). New York: Watson-Guptill Publications, 1991.

Polcari, Stephen. Abstract Expressionism and the Modern Experience. Cambridge: Cambridge University Press, 1991.

Strickler, Susan E., and Elaine D. Gustafson. Second Wave: American Abstraction of the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection. Worcester, MA: Worcester Art Museum, 1991.

Weintraub, Linda, ed. Art What Thou Eat: Images of Food in American Art. Mount Kisco, NY: Moyer Bell Limited, 1991.



Alvarez Lopera, José. Maestros modernos del Museo Thyssen-Bornemisza (text in Spanish; includes artist’s statements). Entry “Hans Hofmann,” pp. 476–79. Madrid: Fundación Colección Thyssen-Bornemisza, 1992.

Boudaille, Georges, and Patrick Javault. La Peinture américaine (text in French; includes artist’s statements). Paris: Nathan, 1992.

Hudson, Andrew. “A Blaze of Color in the Service of Emotion: From the Collection of the National Museum of American Art.” American Art 6, no. 3 (Summer 1992): pp. 100–01.

Kerber, Bernhard. Bestände Onnasch (text in German; includes artist’s statements). Bremen, Germany: Neues Museum Weserburg, 1992.

Kingsley, April. The Turning Point: The Abstract Expressionists and the Transformation of American Art (includes artist’s statements). New York: Simon & Schuster, 1992.

Lloyd, Michael, and Michael Desmond. European and American Paintings and Sculptures 1870–1970 in the Australian National Gallery. Entry “Hans Hofmann,” pp. 306–07. Canberra, Australia: Australian National Gallery, 1992.

Rivers, Larry, and Arnold Weinstein. What Did I Do? The Unauthorized Autobiography (includes artist’s statements). New York: HarperCollins, 1992.

Seitz, William C. Art in the Age of Aquarius, 1955–1970. Compiled and edited by Marla Price. Washington, DC: Smithsonian Institution Press, 1992.

Spector, Nancy, ed. Guggenheim Museum, A to Z (includes artist’s statements). Entry “Hans Hofmann” by C[ornelia] L[auf], p. 108. New York: Guggenheim Museum Publications, 1992; 2nd rev. ed. 2001.



Art of This Century: The Guggenheim Museum and Its Collection. Essays by Thomas Krens, Bruce Brooks Pfeiffer, Andrea Feeser, Lisa Dennison, Michael Govan, Jennifer Blessing, Diane Waldman, Nancy Spector, and Clare Bell. New York: Guggenheim Museum Publications, 1993; 2nd ed. 1997.

The League at the Cape. Essays by Ronald G. Pisano and Tony Vevers. Provincetown, MA: Provincetown Art Association and Museum, 1993.

Agee, William C. Kenneth Noland: The Circle Paintings 1956–1963. Houston: The Museum of Fine Arts, Houston, 1993.

Harris, Jonathan. “Ideologies of the Aesthetic: Hans Hofmann’s ‘Abstract Expressionism’ and the New York School” (includes artist’s statement). In American Abstract Expressionism, edited by David Thistlewood, pp. 77–96. Liverpool: Liverpool University Press and Tate Gallery Liverpool, 1993.

Leja, Michael. Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s (includes artist’s statements). New Haven, CT: Yale University Press, 1993.

Selz, Peter. “Hans Hofmann: Selections from the Artist’s Gift to the University” (includes artist’s statements). American Art Review 5, no. 2 (Winter 1993): pp. 126–31.

Stern, Ellen. “Moon River Realized: Andy Williams Builds a Showcase in Branson, Missouri.” Architectural Digest 50, no. 8 (August 1993): pp. 62, 64, 66.

Wood, Paul, Francis Frascina, Jonathan Harris, and Charles Harrison. Modernism in Dispute: Art since the Forties. New Haven, CT: Yale University Press, in association with The Open University, London, 1993.



New York—Provincetown: A 50s Connection, from the Collections of Drs. Thomas and Marika Herskovic and the Provincetown Art Association and Museum (includes artist’s statements). Essays by Tony Vevers, Phyllis Braff, and Cynthia Goodman. Provincetown, MA: Provincetown Art Association and Museum, 1994.

Paintings from Europe and the Americas in the Philadelphia Museum of Art: A Concise Catalog. Philadelphia: Philadelphia Museum of Art, 1994.

Adams, Laurie Schneider. A History of Western Art (includes artist’s statements). New York: Harry N. Abrams, 1994; 2nd ed. Madison, WI: Brown & Benchmark, 1997; 3rd ed. Boston: McGraw-Hill, 2001.

Butler, Adam, Claire Van Cleave, and Susan Stirling. The Art Book. London: Phaidon, 1994.

Clark, T.J. “In Defense of Abstract Expressionism.” October 69 (Summer 1994): pp. 22–48.

Cummings, Paul. A Dictionary of Contemporary American Artists. 6th ed. New York: St. Martin’s Press, 1994.

Lemoine, Serge, ed. L’Art du XXe siècle: la collection du Musée de Grenoble (text in French; includes artist’s statements). Entry “Hans Hofmann” by S[ophie] B[oubert], p. 203. Paris: Éditions de la Réunion des musées nationaux, 1994.

Stangos, Nikos, ed. Concepts of Modern Art: From Fauvism to Postmodernism. 3rd ed. New York: Thames & Hudson, 1994.

Tapié, Michel. Un art autre: fac-similé de l’ouvrage paru chez Gabriel-Giraud et fils, Paris 1952, édité pour accompagner l’exposition ‘Quelque chose de très mystérieux: intuitions esthétiques de Michel Tapié’ (text in French). Paris: Artcurial, 1994.

Toohey, Jeanette. “Curator’s Choice: Hans Hofmann.” Delaware Art Museum Quarterly 15 (Winter 1994): p. 3.

Vevers, Tony. Provincetown Abstract Painting 1915–1950, from the Penny and Elton Yasuna Collection. Provincetown, MA: Provincetown Art Association and Museum, 1994.



New Orleans Museum of Art: Handbook of the Collection. Entry “Hans Hofmann” by S[haron] E. S[tearns], p. 134. New Orleans, LA: New Orleans Museum of Art, 1995.

Buser, Thomas. Experiencing Art around Us. Minneapolis/Saint Paul, MN: West Publishing Company, 1995.

Fellman, Bruce. “Collecting from the Heart.” Yale Alumni Magazine 59, no. 1 (October 1995): pp. 44–51.

Fineberg, Jonathan. Art since 1940: Strategies of Being (includes artist’s statements). Englewood Cliffs, NJ: Prentice Hall, 1995; 2nd ed. 2000.

Gautherie-Kampka, Annette. Les Allemands du Dôme: la colonie allemande de Montparnasse dans les années 1903–1914 (text in French). Bern: P. Lang, 1995.

Hobbs, Jack A., and Richard Salome. The Visual Experience. 2nd ed. Worcester, MA: Davis Publications, 1995. [per Hirshhorn].

Nemser, Cindy. Art Talk: Conversations with 15 Women Artists (includes artist’s statements). New York: Icon Editions, 1995.

Robson, A. Deirdre. Prestige, Profit and Pleasure: The Market for American Art in New York in the 1940s and 1950s. New York: Garland Publishing, 1995.



Tate Gallery: Illustrated Catalogue of Acquisitions 1986–88 (includes artist’s statements). Entry “Hans Hofmann,” pp. 374–76. London: Tate Publishing, 1996.

Treasures of the Museum of Fine Arts, Boston. Introduction by Malcolm Rogers; chapter introductions by Gilian Wohlauer. New York: Abbeville Press, 1996.

The 20th-Century Art Book (includes artist’s statements). London: Phaidon, 1996.

Bakker, James R., and Tony Vevers. Teachers. Provincetown, MA: Provincetown Art Association and Museum, 1996.

Gautherie-Kampka, Annette. “Hans Hofmann: Deutsche Maler des Café du Dôme—Folge IV” (text in German). Weltkunst 66, no. 13 (1 July 1996): pp. 1522–24.

Karlstrom, Paul J., ed. On the Edge of America: California Modernist Art, 1900–1950. Berkeley: University of California Press, 1996.

Ratcliff, Carter. The Fate of a Gesture: Jackson Pollock and Postwar American Art (includes artist’s statements). New York: Farrar, Straus, Giroux, 1996.

Rosenthal, Mark. Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline. Entry “Hans Hofmann” by R[ebecca] B[utterfield], p. 289. New York: Solomon R. Guggenheim Museum; distributed by Abrams, 1996.

Spring, Justin. Wolf Kahn (includes artist’s statements). Essay by Louis Finkelstein. New York: Harry N. Abrams, 1996.

Wood, James N. The Art Institute of Chicago: Twentieth-Century Painting and Sculpture. Chicago: The Art Institute of Chicago, 1996.



American Art: A Selection from Waddington Galleries. London: Waddington Galleries, 1997.

“Top 100 Treasures: Golden Gift.” Art & Antiques 20, no. 3 (March 1997): p. 103.

Cernuschi, Claude. ‘Not an Illustration but the Equivalent’: A Cognitive Approach to Abstract Expressionism (includes artist’s statements). Madison, NJ: Fairleigh Dickinson University Press, 1997.

Harris, Jonathan. “Art Education and Cyber-ideology: Beyond Individualism and Technological Determinism” (includes artist’s statements). Art Journal 56, no. 3 (Autumn 1997): pp. 39–45.

Troyen, Carol, Charlotte Emans Moore, and Priscilla Kate Diamond. American Paintings in the Museum of Fine Arts, Boston: An Illustrated Summary Catalogue. Boston: Museum of Fine Arts, Boston, 1997.

Vogel, Carol. “De Kooning’s Abstract Women Bring Millions at an Art Auction.” New York Times, 19 November 1997.



Forman, Deborah. “A Vision for America.” Cape Cod Times, 15 November 1998.

Jeffett, William, ed. Surrealism in America during the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection. Essays by Martica Sawin and William Jeffett. St. Petersburg, FL: Salvador Dalí Museum, 1998.

Ocvirk, Otto G., Robert E. Stinson, Philip R. Wigg, Robert O. Bone, and David L. Cayton. Art Fundamentals: Theory & Practice. 8th ed. Boston: McGraw-Hill, 1998.

Zilczer, Judith. “Identifying Willem de Kooning’s ‘Reclining Man.’” American Art 12, no. 2 (Summer 1998): pp. 26–35.



Kathleen Gemberling Adkison: A Retrospective. Essay by Matthew Kangas. Spokane, WA: Cheney Cowles Museum, 1999.

MFA: A Guide to the Collection of the Museum of Fine Arts, Boston. Contribution by Gilian Shallcross Wohlauer. Boston: Museum of Fine Arts, Boston, 1999.

Provincetown Art Association and Museum: The Permanent Collection. Essays by Tony Vevers and Kathryn Smith. Provincetown, MA: Provincetown Art Association and Museum, 1999.

Selected Works from the Dayton Art Institute Permanent Collection. Entry “Hans Hofmann” by M.A.L., p. 109. Dayton, OH: The Dayton Art Institute, 1999.

B[urns], J[oe]. “Hans Hofmann’s Abstract Expressionism Finds a Sandy Root.” Cape Codder (Orleans, MA), 31 December 1999.

Corbett, William. “But Here’s a Funny Story…Rudy Burckhardt Remembers His ‘Paints a Picture’ Photographs.” Modern Painters (Winter 1999): pp. 48–51.

Craven, David. Abstract Expressionism as Cultural Critique: Dissent during the McCarthy Period. Cambridge: Cambridge University Press, 1999.

Fairbrother, Trevor. The Virginia and Bagley Wright Collection. Essay by Bagley Wright. Seattle, WA: Seattle Art Museum, in association with University of Washington Press, 1999.

Falk, Peter Hastings, ed. Who Was Who in American Art, 1564–1975: 400 Years of Artists in America. Vol. 2. Madison, CT: Sound View Press, 1999.

Farnham, Emily. Hofmann: Abstraction as Plastic Expression and Notes Made in Hofmann’s Classes (includes artist’s statements). Provincetown, MA: E. Farnham, 1999.

Giuliano, Charles. “Celebrating 100 Years of Art in Provincetown.” Art New England 20, no. 5 (August–September 1999): pp. 22–23.

Love, Richard H. Carl W. Peters: American Scene Painter from Rochester to Rockport. Rochester, NY: University of Rochester Press, 1999.

Moorhouse, Paul. John Hoyland. London: Royal Academy of Arts, 1999.

Phillips, Lisa. American Century: Art and Culture 1950–2000. New York: Whitney Museum of American Art, 1999.

Rosenblum, Robert. On Modern American Art: Selected Essays. New York: Harry N. Abrams, 1999.

Sanders, Vicki. “Creative Force: Five New England Artists and the Works That Inspire Them.” Boston Globe Magazine, 10 January 1999.

Stella, Frank. “The Artist of the Century.” American Heritage 50, no. 7 (November 1999): pp. 14–17. Reprinted in Hans Hofmann (1880–1966) (solo exh. cat., 2000), n.p.; in Yohe, ed., Hans Hofmann (2002), pp. 276–79. Published as “Bombs away: Hans Hofmann at 2000” in Frank Stella at 2000: Changing the Rules (2000), pp. 105–07.

Varnedoe, Kirk, and Pepe Karmel, eds. Jackson Pollock: New Approaches. Essays by T.J. Clark, Robert Storr, Pepe Karmel, James Coddington, Carol C. Mancusi-Ungaro, Rosalind E. Krauss, Ann M. Wagner, Jeremy Lewison, and Kirk Varnedoe. New York: The Museum of Modern Art, 1999.



The Orchestration of Color: The Paintings of Arthur B. Carles (includes artist’s statements). Introduction by Mercedes Carles Matter; essay by Barbara Wolanin. New York: Hollis Taggart Galleries, 2000.

Society for Contemporary Art: 1940–2000. Chicago: Society for Contemporary Art, The Art Institute of Chicago, 2000.

Summer at the Shore: The Artist Colonies at Easthampton, Gloucester and Provincetown. New York: Palitz Gallery at Syracuse University Lubin House, 2000.

Cash, Sarah, and Terrie Sultan. American Treasures of the Corcoran Gallery of Art. New York: Abbeville Press, 2000.

Herskovic, Marika, ed. New York School Abstract Expressionists: Artists Choice by Artists; A Complete Documentation of the New York Painting and Sculpture Annuals, 1951–1957 (includes artist’s statements). Franklin Lakes, NJ: New York School Press, 2000.

Landfield, Ronnie. “Whitney Museum Ends the American Century.” Linea 4, no. 1 (Winter 2000): pp. 1, 14–18.

Peters, Ursula, and Andrea Legde. Moderne Zeiten: Die Sammlung zum 20. Jahrhundert (text in German). Nuremberg, Germany: Verlag des GermanischenNationalmuseums, 2000.

Skold, Stacey. Art Enterprises: Selections from the Collection (includes artist’s statements). Chicago: Art Enterprises, 2000.

Stella, Frank. “Bombs away: Hans Hofmann at 2000.” In Frank Stella at 2000: Changing the Rules, edited by Bonnie Clearwater, pp. 105–07. North Miami, FL: Museum of Contemporary Art, North Miami, 2000. Reprinted as “Hans Hofmann en l’an 2000. Ça va barder!/Bombs away: Hofmann at 2000” (text in French and English), Art Press, no. 278 (April 2002): pp. 30–35.

Teachout, Terry. “For More Artists, a Fine Old Age.” New York Times, 2 April 2000.

Temkin, Anne, Susan Rosenberg, and Michael Taylor. Twentieth Century Painting and Sculpture in the Philadelphia Museum of Art. Entry “Hans Hofmann,” p. 102. Philadelphia: Philadelphia Museum of Art, 2000.



Anne Ryan: Collages (text in French and English). Essay by Claudine Armand. Giverny: Musée d’Art Américain Giverny, 2001.

Building a Masterpiece: Milwaukee Art Museum. Introduction by Russell Bowman; essay by Franz Schulze. Entry “Hans Hofmann” by F[rank] L[ewis], p. 153. New York: Hudson Hills Press, in association with Milwaukee Art Museum, 2001.

Bernárdez, Carmen, and Ángel Gutiérrez Valero. The Collection of the IVAM: Institut Valencià d’Art Modern. Translated by Karel Clapshaw. Entry “Hofmann, Hans,” p. 284. Valencia, Spain: Aldeasa, 2001.

Cabañas Bravo, Miguel. El arte posicionado: pintura y escultura fuera de España desde 1929 (text in Spanish). Summa artis, historia general del arte 48. Madrid: Espasa Calpe, 2001.

Pérez-Jofre, Teresa. Grandes obras de arte: Museo Thyssen-Bornemisza, Madrid (text in Spanish). Entry “Hans Hofmann,” p. 723. Cologne: Taschen, 2001.



Birmingham, Mary, Diane P. Fischer, Twig Johnson, and Gail Stavitsky. Montclair Art Museum: Selected Works. Entry “Hans Hofmann” by G[ail] S[tavitsky], p. 146. Montclair, NJ: Montclair Art Museum, 2002.

Borja-Villel, Manuel J. MACBA Collection: Itinerary. Barcelona: Museu d’Art Contemporani de Barcelona, 2002.

Halasz, Piri. “Whirlwind of Disturbance” (includes artist’s statements). NY Arts 7, no. 10 (October 2002): pp. 74–75.

Hübner, Otto, and Kirstin Hübner, eds. American Contemporary Art Gallery Yearbook 2002/2003 (includes artist’s statements). Munich: American Contemporary Art Gallery, 2002.

Murchie, John. “‘I Just Like to Paint,’ Ruth Wainwright and the Matter of Abstraction.” Arts Atlantic 19, no. 3 (Summer 2002): pp. 32–37.

Newby, Rick. The Most Difficult Journey: The Poindexter Collections of American Modernist Painting. Essays by Rick Newby and Andrea Pappas. Billings, MT: Yellowstone Art Museum, in association with University of Washington Press, Seattle, 2002.

Yohe, James, ed. Hans Hofmann (includes artist’s statements). Introduction by Sam Hunter; essays by Tina Dickey and Frank Stella. Reprints of essays by Hofmann: “Plastic Creation” (1932), pp. 41–44; “The Search for the Real in the Visual Arts” (1948), pp. 45–48; “The Resurrection of the Plastic Arts” and “The Mystery of Creative Relations” (1954), pp. 21–23; “The Color Problem in Pure Painting—Its Creative Origin” (1955), pp. 51–53; “Sculpture” (1933), pp. 54–56. New York: Rizzoli, 2002.



“Building the Collection.” National Gallery of Art Bulletin, 29 (Spring 2003): pp. 2–7.

Davis, Elliot Bostwick, Erica E. Hirshler, Carol Troyen, Karen E. Quinn, Janet L. Comey, and Ellen E. Roberts. American Painting. MFA Highlights. Entry “Hans Hofmann,” p. 218. Boston: MFA Publications, 2003.

Gronlund, Melissa. “Art Talk: Tales of Hofmann.” ARTnews 102, no. 6 (June 2003): p. 24.

Harrison, Charles, and Paul Wood, eds. Art in Theory, 1900–2000: An Anthology of Changing Ideas (includes artist’s statements). Excerpts from “On the Aims of Art,” by Hofmann, pp. 371–74. 2nd ed. Malden, MA: Blackwell, 2003.

Herskovic, Marika, ed. American Abstract Expressionism of the 1950s: An Illustrated Survey, with Artists’ Statements, Artwork and Biographies (includes artist’s statements). New York: New York School Press, 2003.

Jordan, Angela. “A & A Update: Hofmann’s Legacy.” Art & Antiques 26, no. 6 (June 2003): pp. 18–21.

Lander, Tobias. Piet Mondrian, Hans Hofmann, Willem de Kooning: Europäische Künstler in den USA—Amerikanische Künstler aus Europa (text in German; includes artist’s statements). Freiburg, Germany: Rombach, 2003.

Stankiewicz, Richard. Miracle in the Scrap Heap: The Sculpture of Richard Stankiewicz. Andover, MA: Addison Gallery of American Art, Phillips Academy; distributed by the University of Washington Press, Seattle, 2003.



Kemper Museum of Contemporary Art: The First Ten Years. Kansas City, MO: Kemper Museum of Contemporary Art, 2004.

San Francisco and the Second Wave: The Blair Collection of Bay Area Abstract Expressionism (includes artist’s statements). Essays by Scott A. Shields, Susan Landauer, John Natsoulas, Vanessa Bolden, C.L. Wysuph, and David J. Carlson. Sacramento, CA: Crocker Art Museum, 2004.

Barnes, Lucinda. “Collecting the Moment—The Berkeley Art Museum” (includes artist’s statements). Chronicle of the University of California, no. 6 (Spring 2004): pp. 129–42.

Cempellin, Leda. L’iperrealismo “fotografico” americano in pittura: risonanze storiche nella East e nella West Coast (text in Italian; includes artist’s statements). Padua, Italy: CLEUP, 2004.

Costa, Xavier, ed. Hans Hofmann: The Chimbote Project: The Synergistic Promise of Modern Art and Architecture (includes artist’s statements). Introduction by Xavier Costa; essays by Tina Dickey, Eric Mumford, Martí Peran, and Maurici Pla. Barcelona: Museu d’Art Contemporani de Barcelona, 2004.

Gleadell, Colin. “Art Market: Edgy Names Energize Contemporary Sales.” ARTnews 103, no. 1 (January 2004): pp. 64–67.

Plante, Michael. Ida Kohlmeyer: Systems of Color (includes artist’s statements). New York: Hudson Hills Press, in association with Newcomb Art Gallery, Tulane University, 2004.

Preble, Duane, and Sarah Preble. Artforms: An Introduction to the Visual Arts. 7th ed., revised by Patrick Frank. Upper Saddle River, NJ: Pearson/Prentice Hall, 2004.

Wentworth, Nigel. The Phenomenology of Painting. Cambridge: Cambridge University Press, 2004.



Hackett-Freedman Gallery: 20 Years. San Francsico: Hackett-Freedman Gallery, 2005.

Jane Piper: Poetic Distillations. Essay by Richard J. Boyle. New York: Hollis Taggart Galleries, 2005.

Binstock, Jonathan P. Sam Gilliam: A Retrospective (includes artist’s statements). Berkeley: University of California Press; Washington, DC: Corcoran Gallery of Art, 2005.

Blauvelt, Andrew, ed. Expanding the Center: Walker Art Center and Herzog & de Meuron. Minneapolis, MN: Walker Art Center, 2005.

Clearwater, Bonnie. Albert Oehlen: I Know Whom You Showed Last Summer. North Miami, FL: Museum of Contemporary Art, North Miami, 2005.

Dickey, Tina, ed. Selections from the Journals of Myron Stout (includes artist’s statements). Introduction by Robert Storr. New York: Midmarch Arts Press, 2005.

Freudenheim, Tom. “Books: A New Standard: Jed Perl’s New Art City Tells the Story of New York’s Rise to Art-World Dominance” (book review). New York Sun, 22 September 2005.

Hagood, Martha N., and Jefferson C. Harrison. American Art in the Chrysler Museum: Selected Paintings, Sculpture, and Drawings (includes artist’s statements). Entry “Hans Hofmann” by J[efferson] C. H[arrison], p. 214. Norfolk, VA: Chrysler Museum of Art, 2005.

Hobbs, Jack A., Richard Salome, and Ken Vieth. The Visual Experience. 3rd ed. Worcester, MA: Davis Publications, 2005.

Hübner, Otto, and Kirstin Hübner, eds. American Contemporary Art Gallery Yearbook 2005/2006. Essay by Stephanie Buhmann. Munich: American Contemporary Art Gallery, 2005.

Jones, Caroline A. Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses (includes artist’s statements). Chicago: University of Chicago Press, 2005.

Koella, Rudolf, and Felix Billeter. Verborgene Meisterwerke: R. & H. Batliner Art Foundation, Vaduz (text in German). Entry “Hans Hofmann,” pp. 362, 424. Vienna: Verlag Christian Brandstätter, 2005.

Landau, Ellen G., ed. Reading Abstract Expressionism (includes artist’s statements). New Haven, CT: Yale University Press, 2005.

Lynn, Martha Drexler. Sculpture, Glass, and American Museums. Philadelphia: University of Pennsylvania Press, 2005.

Perl, Jed. New Art City (includes artist’s statements). New York: Alfred A. Knopf, 2005.

Rinder, Lawrence R. Art Life: Selected Writings, 1991–2005 (includes artist’s statements). New York: G. R. Miller, 2005.



“Hans Hofmann Work Donated to CCMA.” Antiques and the Arts Weekly, 23 June 2006.

Morris Louis Now: An American Master Revisited. Atlanta, GA: High Museum of Art, 2006.

Adams, Laurie Schneider. The Making and Meaning of Art (includes artist’s statements). Upper Saddle River, NJ: Pearson/Prentice Hall, 2006.

Carlozzi, Annette DiMeo, and Kelly Baum, eds. Blanton Museum of Art: American Art since 1900 (includes artist’s statements). Entry “Hans Hofmann” by Katie Robinson Edwards, pp. 136–38. Austin: Blanton Museum of Art, The University of Texas at Austin, 2006.

Frank, Peter, ed. Luc Leestemaker. Los Angeles: Skylark Press, 2006.

Kuh, Katharine. My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator (includes artist’s statements). Edited and completed by Avis Berman. New York: Arcade Publishing, 2006.

Sims, Lowery Stokes. The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2006.

Slowik, Theresa J. America’s Art: Smithsonian American Art Museum. Foreword by Eleanor Harvey; introduction by Elizabeth Broun. New York: Harry N. Abrams, 2006.



The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York: The History and the Collection. Entry “Hans Hofmann,” p. 135. Munich: Prestel, 2007.

Frederick R. Weisman Art Foundation Collection. Entry “Hans Hofmann” by R.B., p. 182. Los Angeles: Frederick R. Weisman Philanthropic Foundation, 2007.

“Museum Receives Anonymous Donation of Hofmann Painting.” The Register (Yarmouth, MA), 11 May 2007.

Barnes, Lucinda. Measure of Time. Essays by Jacquelynn Baas, Karen L. Bennett, Bill Berkson, Linda Dalrymple Henderson, Maria Porges, and Lawrence R. Rinder. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2007.

Brommer, Gerald F. Discovering Art History. 4th ed. Worcester, MA: Davis Publications, 2007.

Clark, T.J. Modernismos: ensaios sobre politica, história e teoria de arte (text in Portuguese). São Paulo, Brazil: Cosac Naify, 2007.

George, Hardy S., ed. Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961–1968. Essays by Hardy S. George, Gerald Nordland, and Barbara Rose. Oklahoma City, OK: Oklahoma City Museum of Art, 2007.

Wedewer, Rolf. Die Malerei des Informel: Weltverlust und ICH-Behauptung (text in German). Munich: Deutscher Kunstverlag, 2007.



Modern and Contemporary Art. London: E & R Cyzer, 2008.

Burner, Alan McManus. Color Choreography: Foundational Studies, Investigations and Discourse on Color Theory. 4th ed. Mason, OH: Cengage Learning, 2008.

Davisson, Darrell D. Art after the Bomb: Iconographies of Trauma in Late Modern Art. Bloomington, IN: Author House, 2008.

Feinstein, Patricia Stark. Sam Feinstein (includes artist’s statements). Includes DVD of Sam Feinstein’s film Hans Hofmann (begun in 1950). North Truro, MA: Fields Publishing, 2008.

Feinstein, Sam. A Portrait of Hans Hofmann as Painter, Teacher, and Friend (includes artist’s statements). Edited by Sascha Feinstein. New York: Midmarch Arts Press, 2008.

Hübner, Otto, and Kirstin Hübner, eds. American Contemporary Art Gallery Yearbook 2008/2009. Munich: American Contemporary Art Gallery, 2008.

Rabinowitch, David. “On the Box Trough Assemblages and Fluid Sheet Constructions” (text in English and Spanish). Chinati Foundation Newsletter 13 (2008): pp. 34–37.



The MFA Handbook: A Guide to the Collections of the Museum of Fine Arts, Boston. Entry “Hans Hofmann,” p. 367. Rev. ed. Boston: MFA Publications, 2009.

Barter, Judith A. American Modernism at the Art Institute of Chicago: From World War I to 1955. Contributions by Jennifer M. Downs, Sarah E. Kelly, Denise Mahoney, Ellen E. Roberts, and Brandon K. Ruud. Chicago: The Art Institute of Chicago; New Haven, CT: Yale University Press, 2009.

Chassey, Éric de, and Émilie Ovaere, eds. Ils ont regardé Matisse: une reception abstraite, États-Unis/Europe, 1948–1968 (text in French and English). Le Cateau-Cambrésis, France: Musée départemental Matisse, 2009.

Coburn, Marcia Froelke. “The Queen of Arts.” Chicago 58, no. 6 (June 2009): pp. 76– 79, 138.

Firestone, Evan. “Black and White: Fritz Bultman’s ‘Reader I.’” Kresge Art Museum Bulletin 9 (Fall 2009): pp. 21–27.

Landau, Ellen G., Sandra Kraskin, Phyllis Braff, and Michael Zakian. Mercedes Matter (includes artist’s statements). New York: MB Art Publishing, 2009.

Ocvirk, Otto G., Robert E. Stinson, Philip R. Wigg, Robert O. Bone, and David L. Cayton. Art Fundamentals: Theory and Practice. 11th ed. Boston: McGraw-Hill, 2009.

Saletnik, Jeffrey. “Pedagogic Objects: Josef Albers, Greenbergian Modernism, and the Bauhaus in America” (includes artist’s statements). In Bauhaus Construct: Fashioning Identity, Discourse and Modernism, edited by Jeffrey Saletnik and Robin Schuldenfrei, pp. 83–102. London: Routledge, 2009.

Sandler, Irving. Abstract Expressionism and the American Experience: A Reevaluation (includes artist’s statements). Lenox, MA: Hard Press Editions; New York: School of Visual Arts, 2009.

Williams, Andy. Moon River and Me: A Memoir. New York: Plume, 2009.



A New World Imagined: Art of the Americas (includes artist’s statements). Essays by Elliot Bostwick Davis, Dennis Carr, Nonie Gadsden, Cody Hartley, Erica E. Hirshler, Heather Hole, Kelly H. L’Ecuyer, Karen E. Quinn, Dorie Reents-Budet, and Gerald W.R. Ward. Boston: MFA Publications, 2010.

Daichendt, G. James. Artist-Teacher: A Philosophy for Creating and Teaching (includes artist’s statements). Bristol, UK: Intellect, 2010.

Hedlund, Ann Lane. Gloria F. Ross & Modern Tapestry. New Haven, CT: Yale University Press in association with Arizona State Museum, The University of Arizona, Tucson, 2010.

Kamien-Kazhdan, Adina, ed. Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum. Entry “Hans Hofmann” by E.A., p. 158. Jerusalem: The Israel Museum, 2010.

Kennedy, Brian P. Frank Stella: Irregular Polygons, 1965–66. Hanover, NH: Hood Museum of Art, Dartmouth College, 2010.

Marzio, Peter C. American Art and Philanthropy: Twenty Years of Collecting at the Museum of Fine Arts, Houston (includes artist’s statements). Catalogue entry “Sparks, 1957” by A[lison de] L[ima] G[reene], p. 318. Houston: The Museum of Fine Arts, Houston, 2010.

Printz, Neil, ed. The Andy Warhol Catalogue Raisonné. Vol. 3, Paintings and Sculptures, 1970–1974. London: Phaidon, 2010.

Shields, Scott A., ed. The Crocker Art Museum Collection Unveiled. Entry “Hans Hofmann,” p. 332. Sacramento, CA: Crocker Art Museum, 2010.



Richard Diebenkorn: The Ocean Park Series (includes artist’s statements). Essays by Sarah Bancroft, Susan Landauer, and Peter Levitt; with contributions by Anna Brouwer. Newport Beach, CA: Orange County Museum of Art; Munich: DelMonico Books/Prestel, 2011.

Dickey, Tina. Color Creates Light: Studies with Hans Hofmann (includes artist’s statements). Salt Spring Island, Canada: Trillistar Books, 2011.

Fineberg, Jonathan. Art since 1940: Strategies of Being (includes artist’s statements). 3rd ed. Boston: Prentice Hall, 2011.

Forman, Deborah. Perspectives on the Provincetown Artist Colony (includes artist’s statements). Atglen, PA: Schiffer Publishing, 2011.

Hübner, Otto, and Kirstin Hübner, eds. American Contemporary Art Gallery Yearbook 2010, 2011, 2012. Munich: American Contemporary Art Gallery, 2011.

Muir, Prescott, Dan Hoffman, and Juhani Pallasmaa. It by Bit. [Novato, CA]: Oro Editions, 2011.

Rubin, William. A Curator’s Quest: Building the Collection of Painting and Sculpture of The Museum of Modern Art, 1967–1988. New York: Overlook Duckworth, 2011.

Siegel, Katy. Abstract Expressionism (includes artist’s statements). London: Phaidon, 2011.



Robert De Niro, Sr., Paintings & Drawings 1960–1993. Essay by David Moos. New York: D.C. Moore Gallery, 2012.

Wayne Thiebaud. Essay by Pepe Karmel. New York: Acquavella Galleries; distributed by Rizzoli International, 2012.

Grachos, Louis, and Claire Schneider. Extreme Abstraction: Revisited. Buffalo, NY: Albright-Knox Art Gallery, 2012.

Kahn, Peter. Learning from the Masters of Modern Art, from Hoelzel to Hofmann (includes artist’s statements). Ithaca, NY: Kahn Private Edition, 2012.

Torpy, Janet M. “The Cover.” JAMA: Journal of the American Medical Association 307, no. 24 (27 June 2012): p. 2569.



Blanton Museum of Art: 110 Favorites from the Collection. Austin: Blanton Museum of Art, The University of Texas Press, 2013.

Wilkin, Karen. “Becoming Hans Hofmann” (includes artist’s statements). Art & Antiques 36, no. 5 (May 2013): pp. 70–77.

Williams, Thomas. The Bay Area School: California Artists from the 1940s, 1950s and 1960s. Farnham, UK: Lund Humphries, 2013.